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Still there are those, such as Dave Stevens, who have not forgotten how to draw a good girl in a bad situation without showing us every anatomical detail of his subjects. If a pretty, wholesome girl-next-door could be utilized to sell a product, why not a girl in stockings modestly flashing some skin But she's always a 'good girl' - Its not her fault that playful puppy pulled her skirt over her head. Modern pin-up artists such as Olivia de Berardinis , Hajime Sorayama, Carlos Cartagena, Jennifer Janesko, Alain Aslan and John Kacere have turned their vision towards photorealistic fantasy or fetishistic subjects and lack the innocence of their predecessors. During World War Two, pin-ups accompanied G. Dean Cornwell , John La Gatta - and Andrew Loomis were also major forces in magazine and advertising illustration. Also in the 19th Century, Classicism was taken to an extreme by the English movement called the Pre-Raphaelites.

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Although Stevens, Greg Hildebrandt, Jay Pike, Bill Ward and others have experience in the comic world Which includes the sub-genres of 'good girl', 'bad girl', superheroine and Anime , their depictions continue to expand my precepts of successful pin-up art and are documented elsewhere. The original Olympics were contested by naked athletes. Today's sex symbols seem to be comprised of pre-packaged teen sensations, silicone-enhanced quasi porn stars and anorexic 'supermodels'. The term was first attested to in English in however the practice is documented back at least to the s.

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Neoclassicism was formalized in Europe as an outgrowth of Academic Art and again the popular characters from the past were represented by mostly nude models, such as Paul Thurman's 'Psyche'. Also becoming publicly acceptable was such mainstream popular art as 'Psyche at Nature's Mirror' by Paul Thumann, first seen in Munsey's December Issue. Drawing on atavistic figures like Marilyn Monroe or an anonymous sex symbol, reality is processed and packaged up Since such artists' work is exhibited in museums, galleries and coffee table books, they do not strictly pass the test for mass-produced pin-up designation. Bergey just a generation later. The prototypical pin-up postcard artist of the nineteenth century, Raphael Kirchner, contributed to the establishment of the "pretty girl" format. Lithography was invented in the end of the Eighteenth Century. Following the War, the realistic end of the spectrum was consigned to photographs of varying quality.

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Description: The new film industry fueled the public's appetite for magazines devoted to their celluloid heroes. Neoclassicism was formalized in Europe as an outgrowth of Academic Art and again the popular characters from the past were represented by mostly nude models, such as Paul Thurman's 'Psyche'. Still there are those, such as Dave Stevens, who have not forgotten how to draw a good girl in a bad situation without showing us every anatomical detail of his subjects. If anyone is responsible for the explosion of vibrant beautiful pitchwomen, it is Chicago artist Haddon Sundblom. Also becoming publicly acceptable was such mainstream popular art as 'Psyche at Nature's Mirror' by Paul Thumann, first seen in Munsey's December Issue. Independent of the national accounts for specific products and services, there were other fertile markets for pin-up art. As consumerism rose, particularly after World War II, the icon of pitchwoman was particularly ripe for lampooning. Sundblom's lush oil technique influenced a roster of important pin-up artists. Drawing on atavistic figures like Marilyn Monroe or an anonymous sex symbol, reality is processed and packaged up Since such artists' work is exhibited in museums, galleries and coffee table books, they do not strictly pass the test for mass-produced pin-up designation. Publishers and later advertising agencies competed for the services of those artists, such as Norman Rockwell who could generate memorable images for mass consumption, oftentimes on strict deadlines.
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