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Lois Parkinson Zamora of the University of Houston writes, "Roh, in his essay, described a group of painters whom we now categorize generally as Post-Expressionists. Alejo Carpentier originated the term lo real maravilloso roughly "the marvelous real" in the prologue to his novel The Kingdom of this World . however, some debate whether he is truly a magical realist writer, or simply a precursor and source of inspiration. The term magical realism, as opposed to magic realism, first emerged in the essay "Magical Realism in Spanish American Fiction" by critic Angel Flores in reference to writing that combines aspects of magic realism and marvelous realism. Gene Wolfe said, "magic realism is fantasy written by people who speak Spanish", [55] and Terry Pratchett said magic realism "is like a polite way of saying you write fantasy". The important idea in defining the marvelous is that readers understand that this fictional world is different from the world where they live. Virginia Woolf, Angela Carter, Toni Morrison and Charlotte Perkins Gilman being excellent critical challenges to this notion of Hispanic magic realism as a full and diversely aware aesthetic.
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Surrealism is often confused with magical realism as they both explore illogical or non-realist aspects of humanity and existence. The important idea in defining the marvelous is that readers understand that this fictional world is different from the world where they live. It cannot be denied that Hispanic communities, Argentina in particular, have supported great movements and talents in magic realism. There is a reason magical realism was born in Colombia". It reflects the uncanniness of people and our modern technological environment. Washington Square Review.
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Kafka and Gogol predate Borges. They are used to translate trauma into a context that people can more easily understand and help to process difficult truths. Archived from the original on June 20, This page was last edited on 28 February , at Maggie Bowers claims he is widely acknowledged as the originator of Latin American magical realism as both a novelist and critic . [1] she describes Carpentier's conception as a kind of heightened reality where elements of the miraculous can appear while seeming natural and unforced. There are objections to this analysis.
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